In late 2010/early 2011 the State of Queensland was affected by two significant natural disasters – the 2010/11 floods and Cyclone Yasi. You might remember that the ccAustralia office had to close as a result of the floods. During these incidences,…
Google have expanded their utilisation of Creative Commons when it officially announced the introduction of Creative Commons licensing as a rights management option on YouTube (although you may have already read about it!). Now video publishers can now release their videos under a CC Attribution 3.0 Unported licence or utilise the “Standard YouTube License.”
Australia’s first crowd funding platform, Pozible (nee Fundbreak), are always looking for ways to make their platform more useful for project creators. That’s why they rolled out a series of new rights management options for projects starting yesterday. Now Pozible project creators can make content related to their crowd funding proposals on the site available under Creative Commons licences.
Project creators on Pozible now have a ‘License Option’ as part of their project creation process. They can elect ‘all rights reserved’ or they can apply a CC licence using Pozible’s very stylish (yet functional) licence chooser.
To coincide with yesterday’s release of R.E.M‘s new album Collapse Into Now, the American alternative rockers announced their first remix competition. Stems from the song ‘It Happened Today’ from the new album are available for download under a Creative Commons Attribution Non Commercial Share Alike 3.0 Unported License. Stems (legally) up for grabs include percussion, brass, piano, celeste, vibraphone, guitar, drum, banjo and mandolin stems and of course Michael Stipe’s vocals. If Stipe isn’t enough for you there’s even a bit of Eddie Vedder on the track!!
Jacknife Lee, who helped produce Collapse Into Now with R.E.M, said that “Right from the early stages of recording this song in New Orleans Michael wanted to share the files with people to hear their different ideas and versions.” This was the impetus for the remix project and that’s exactly what Stipe has got!
The Australian Centre for the Moving Image joins a growing list of Australian and international arts institutions making resources available for reuse and remixing under Creative Commons. In September last year ACMI launched Generator, an online creative studio space for students and teachers to access and engage with screen content. This week ACMI expanded on its commitment to teaching screen literacy through dynamic programs by relicensing the downloadable media resources on Generator under a Creative Commons Attribution-Noncommerical 3.0 Australia licence. The 1000+ media products available in the Free Media Library go beyond being passive teaching aids – they are now part of the wider commons of legally reuseable content.
The ACMI has spent over 20 years delivering dynamic screen literacy programs that create deep and engaging learning spaces for young people to be active producers of screen content. ACMI’s Generator project was initiated as a concerted effort by the Centre to address changes in teaching screen media. It is the outcome of funding from the Victorian Department of Education and Early Childhood Development to develop premium content for the FUSE Portal, a State-funded repository of content and resources to help teachers Find, Use and Share quality Education resources. To further that aim, ACMI looked to CC.
The roller door has been raised, the turnstiles unlocked, and everyone is invited to take a dip in the all new ABC Pool website. The new site boasts all kinds of new functionality and usability. Bomb dive your way into the site’s 11,000+ contributions with the site’s new structure, making it much easier to see uploaded content, pool contributors, collaborative projects and opportunities to get your content onto ABC websites, radio and even television. And now you can easily follow people and projects to help you keep up with your favorite pool-side punters and comment on pretty much everything on the site.
While we love the new 2.0 functionality, probably the most exciting addition (as far as ccAustralia is concerned anyway :p) is the ability to search for Pool content published under a Creative Commons licence. A much-awaited addition, users can now use the advanced search to find CC-licensed content by keyword using a drop-down menu that will return results under a specific type of CC licence. Better still is the ability to limit your results further by designating the type of media you’re looking for too!
Starting with a very basic premise—’What will cars be like in the future?’—car manufacturer Fiat began the Fiat Mio project to capture the many different answers to that question. The project sought to conceptualise and ultimately manufacture a concept vehicle that was informed by the crowd.
A good designer tries to realise the wishes of everyone, and with this concept car we were truly working on everybody’s behalf. The group of designers working in the Fiat Mio house were totally open. There was transparency about every decision, which were all communicated online and commented on. This is completely different to the usual design process, which is entirely hidden and secretive.
Fassbender is also featured discussing Fiat’s rationale for the project in this video from Fiat’s YouTube channel:
YouCommNews, Australia’s first croudsourced/funded news site, has published its first people-powered story today. “In search of non-toxic housing for health’s sake“, (pitched and) written by Toula Mantis, chronicles Katherine McIntosh’s extreme case of Chronic Fatigue Syndrome. With funding received from 17 people (totaling $878), Mantis was able to research and write an article about McIntosh’s chemical sensitivities. It also made possible the production of a complimentary video that accompanies the story.
Running on platform developed by US crowd news service Spot.us, YouCommNews aims to introduce the concept to Australia. The project hopes to engage members of the public in a more active role in the reporting process. This investment is multifaceted; including an investment in the content, by aligning with and financially supporting a pitch and by suggesting story ideas they would like to see reported on.
TechnoLlama is reporting that a Belgian court upheld a Creative Commons Attribution-Noncommercial-No Derivative Works licence. Quoting Professor Séverine Dussollier of the University of Namur, TechnoLlama says:
A Belgian court today has applied the CC license to a copyright infringement suit. I attach the judgement (in French). The facts were simple, a music band had posted on its website some music under a CC license Non commercial – No derivative works. A theater adapted the music to make an advertisement for their theatrical season. The ad was broadcast on the national radio several times (with no attribution).
The band refused the damages that the theater proposed (1500 €) and decided to sue for copyright infringement.
The court acknowledged the licensing under the CC license and the fact that the theater did not respect any of the license features:
- no attribution was made
- the music was slightly modified for the ad
- the advertisement, even for a theater was a commercial use prohibited by the license.
The Australian Research Council Center of Excellence for Creative Industries and Innovation, ccAustralia and the project coordinators are very excited to announce that etcc, has received funding in the inaugural round of the Creative Commons Catalyst Grants! We pitched for a touring remixable art exhibition that would not only see the production and exhibition of 10 – 20 new works that (legally) appropriate from CC-licensed content, but that would also encourage exploration of the ideas of creation and appropriation in the visual arts sector.
Like the Remix My Lit project, etcc emerged because the coordinators perceived a lack of prominence of remix and open content licensing in the visual arts. While implicit and explicit appropriation is common, the visual arts community as a whole has been a slow sector in their consideration of rights management practices.